Sunday, June 24, 2012

Zombie Tales

3 weeks ago, I attended a fantasy writing class hosted by the Budding Writers' League with a bunch of young people. We were handed an assignment to write an urban fantasy story and each of us had to write a chapter. So the 15 of us came up with a zombie story (typical) in Singapore about a reporter coming across a conspiracy so huge that the minute it as revealed to the public, there was a civil war between the sentient zombies and government.

Actually I'm not too sure about the civil war part. The story was published and all of us has a copy, but I didn't read it. Got bored. Well, conspiracy storyline is just too derivative from movies and other books... But here's my chapter! The unedited version! My chapter was edited by this lady writer called Stephanie, but I haven't got my edited version back from Max, one of the organizers. So forgive me for any mistakes or long-windedness.

I present to you: The Zombie Conspiracies: Chapter 2

-----

Light in the office had finally turned to a shade of orange and Peter knew it was time to leave this dirthole. Another wasted day, he thought as he threw away the memo. No scoops came in, no articles went out. Damn, Micky's gonna be pissed.

Earlier that day at the editorial meeting, Peter sat there with folded arms and listened to his colleagues pitching in their stories to Micky, the senior editor. His eyes were fixated on whoever was speaking, but his mind was miles away from the table discussions. When it was his turn to contribute a story, he sat up and opened his mouth, but no words came out. The silence stifled the room, as all eyes were on Peter. He looked around at the many vacant faces of his colleagues, cleared his throat and raised his head to Micky, who was standing at the front of the long table.

“I have nothing to use,” claimed Peter. He thought he might have caught Micky's face muscle twitched a bit.

“You know, we have potential stories lined up for the new millennium and we need capable writers-”
“Mick, guys,” he addressed the whole room of journalists. “You know me. I don't do lifestyle stories.”
“We need capable writers, and-”
“And you have them.”
“We just need you to start writing again.”

Micky had just struck Peter reality with his words. He kept quiet and had a quick flashback in his mind.

When was the last time I submitted an article? Was it last week? Three weeks ago?

He blinked, realizing he had indeed hit the dry season of his successful journalism career.

After the meeting, he went straight back to his office and spent a long time admiring the streets below outside his large window. The low rumbles of vehicle engines and random street noises filled the void of the proletariat, as they walked to their destinations. All that movement but nothing was going on. Where are the scandalous bastards when you need them?

Peter’s research on potential political dirt came up nil and his reliable sources hadn't phoned up with anything substantial. Even with the regular dosage of coffee into his system every hour did not help much to keep his sanity in. He was fighting a losing battle without the proper gear and equipment. Micky had even left him a memo through his secretary, stating: “If you don’t produce anything by tomorrow’s meeting, I will have to let you go.”

He chucked a few pieces of papers of no importance into his black briefcase and headed out into the corridor. He made a quick turn around the corner and dashed for the closing doors of the empty elevator. Now Peter really felt that he was descending into Hell.

--------------

The walk back home was an uncomfortable one. Peter could have taken a bus home, but he wanted to be alone and not surrounded by crowds with body odour and botched perfume smells. His apartment, now just a few blocks down the road, was located in the heartlands of Tiong Bahru.

Peter had always loved Tiong Bahru. He always saw the area as a forgotten relic in Singapore’s history. The worn-down, 15-storeys HDB flats surrounded the central area, which mainly consists of the Tiong Bahru Mall and other smaller establishments. And under these residential blocks housed coffeeshops, which were usually patronized by collective groups of people who had nothing much to do. After three years in hectic offices of Straits Times and meeting deadlines, Peter had grown to appreciate the slow and simple life and found comfort in his neighbourhood.

The hunger pangs had started to go off, but Peter was not in any mood to eat anything. He was too deep in his thoughts, pondering about the possibilities of his future when he loses his rice bowl tomorrow. At the same time, the fragrance of the dozens of dishes from the nearby coffeeshops incited his hunger even more.

A terrible, high-pitched scream came out of nowhere and shattered the evening’s silence. Peter looked around, frantically sourcing the sound. He knew it belonged to a woman. The scream attacked again, this time it was more of a cry rather than a scream. For some reason, he was genuinely excited. It sounded like a murder was taking place.

His journalistic instincts kicked in. He took out his Dictaphone and bolted in the direction of the scream. While running, he checked the battery on his recording device.

Peter need not be reminded of the “Nathan Incident” earlier that year, in which he forgot to hit the “Record” button when he was doing an interview with the newly elected President. He breathed a sigh or relief when the President told him they had a transcriber on the spot and he was willing to provide the transcript for his article.

Peter came to a halt at the dark alleyway. He could not make anything out of the darkness at first. He breathed heavily and wiped his moist forehead. As his vision became clearer with his pupils growing accustomed to the darkness, he could not believe the situation that was taking place in front of him.

Two men wrapped in large pieces of dirty cloths were squatting near a bleeding middle-aged woman. She was seen sitting in her own blood with her back against the wall. The creatures continued their sickening gnawing and failed to notice that they had a “visitor”. The woman seemed almost dead, but she had felt Peter’s presence and turned her head around slowly. Their eyes connected for a moment, his gripped with terror and hers with imminent death.

The woman slowly raised her arm towards him and he could have sworn she mouthed the words “Help me.” One of the men saw her pleading face and spun his head to see who she was looking at. Peter’s face lost its color once he saw the grotesque façade of decaying flesh and blood looking back at him. Its mouth dripping with menace and blood that was not its own.

No, it can’t be zombies. Cannibals, perhaps?

Journalism would have to wait. A human life was at stake and there was no one else nearby to help her. He brought his briefcase up with both hands and charged towards the deformed creatures. The cannibals stood up and roared in indistinguishable, animalistic voices.

Peter swung his briefcase to the nearest to him across its head. The brute impact threw it off balance and it fell on its back. The other one growled in retaliation and attempted to strike Peter’s face with a backhand slap, but he had brought his briefcase up just in time to block its attack. He gritted his teeth and struggled to keep the briefcase between him and the monster pining him against the wall.

Peter then looked down and glanced an opening between the creature’s legs. Without any hesitation, he decided to give it a try and shot his right leg upwards. There was a loud squishing thud. The creature howled in pain, followed by an English swear word and grabbed its own crotch.

What the hell? These things can talk?!

The first creature Peter attacked jumped on him. In the midst, he had dropped his briefcase and he was now lying on the floor, desperately pushing the snappy face away from his. From this distance, he could barely make out the shape of the disgusting facial features. It looked like something that his nightmare would manifest from his darkest fantasies.

Several voices from afar shouted things like “Hey! Is anybody hurt? What’s going on? Where are you?” Both Peter and the creature looked to the voices’ direction. Peter began to shout and struggle, but the creature went straight for his neck and squeezed it.

Peter felt his windpipes being crushed by sticky sausages. His blurry view of the world was now being slowly engulfed by the darkness in his eyes.

“Leave him! The humans are reaching. We can’t have two dead bodies.”
“He saw our faces!”
“No one will believe him! They’ll see the woman’s one and assume he did it.”
“Screw it, let’s go. The treaty’s ending anyway.”

Peter choked back to life and broke into violent coughs. His vision still blurred, but at least he could make out that the creative was standing over him, smirking. He felt his head jerked to the right and a searing pain on his left cheek began to intensify.

“That’s for kicking me in the balls,”
“Come on, we gotta go!”

And with that, the creature disappeared from view. he quickly got up on his feet and checked the woman’s pulse. Yup, she’s definitely gone.

Peter picked up his briefcase and ran away from the voices that were getting nearer, for he had only enough time to escape from the manslaughter crime scene. The creatures were right, though. Which seemed more like a logical situation: A cannibalism ritual conducted by two bloody, deformed monsters? Or a psycho journalist with a penchant for hardcore crime news stories? He did not stay to find out the answer.

Instead, Peter decided quickly to follow them into the darkness of the alley. He was not trying to be brave. His instincts had kicked in again: Follow the leads at all costs. He followed the bloody, mushed footsteps and with each step, there was lesser and lesser blood. Please let me strike the gold pot before it disappears.

The footsteps only ended when it reached the main streets of Tiong Bahru Road. Passer-bys were staring at him as if he was a zombie, because of his disheveled and insane, yet vacuous, expression. He gave a sweeping view around, for any signs that these creatures would try to blend in. No dirty cloths in sight, no blood on any bodies.

As Peter began to calm down from his near-death experience (every scoop he had was a near-death experience anyway), he realized something was amiss with his arm. His left forearm felt a tad lighter and weird. He turned his arm around and saw teeth marks on them. His eyebrows furrowed in uncertainty. He did not remember getting bit in that bloody fight. He looked up and saw society moving, as though nothing had happened.

What the Hell are you?

Insane Me

Okay the gist of this blog post is I have indulging in self-communication through various acts of personality impersonations.

I couldn't sleep at all. Too much energy, too many thoughts, too many insecurities that everything just burst out on the bedroom floor. Impersonating Gollum and Jim Carrey in self-deprecating insults at myself, and smiling with a wolfish grin while spouting lines in loud, dramatic voices, coupled with grand gestures like kneeling and crawling all over. Hell, you should just give me an award right now. Performing in my room like there's an audience for my self-destruction journey to Lunacy Land. Man, I'm brilliant.

I'm so amazingly bad at expressing my inner struggles to lead a normal life. Bad at writing, bad at dancing, bad at developing characters, bad at understanding people, bad at singing... I don't have any good qualities. All I do is observe, imitate and recreate a poorly-constructed pastiche of what I understand of Life.

While everybody's maturing into their own, I am still in arrested development. Why can't I get out of this phase!

Why can't I understand?

And I haven't found that someone to help me. I don't think I ever will.

Seriously, fuck BGR la. Companionship is overrated.

(No it's not! Give yourself time!)

Fuck you! Shut the fuck up!

(Wait for it, you'll be fine...)

Seriously, Me, you need to get your head right. What kind of girl will like a guy like me?

(Stop being insane then!)

I can't help it! It's in my gene!

(It's not! I've seen you in your charming moments)

What charming moments?! It's fucking creepy!

(NOW, IT'S FREAKING CREEPY!)

'COURSE IT IS. YOU'RE TALKING TO YOURSELF.

(THIS IS GETTING ANNOYING, MY FRIEND.)

Why can't you be normal?!

(BECAUSE,

This is who we are. An ambitious young lad with an eye for design and precision, and you are in abundance of flaws. You crave for company, understanding, perfection, and you seek love. You can't expect everyone to understand you. You can only wish for people to accept you. And you have a family who loves you. Your friends? You know Andrew still loves you. N does too. And Ron, that one girl you always end up pissing her off, but you guys are still close mates. You are awesome, believe that. Believe in yourself. Be kinder to yourself.)

...

..

.

This is nuts.

Sunday, June 17, 2012

TV Recap: Community

I suppose I'm making a change to column writing when I'm blogging about this, but I'm going to try make this short and sweet.

For those who don't know me well enough, let me just begin with this: I love dissecting movies to the nitty-gritty. Especially good ones. Nothing gives me more comfort when I'm trying to figure out what are the elements that make great entertainment. So my knowledge on movie genres and pop culture is exceptionally wide and is still expanding.

So, lately, I've been obsessing over a U.S. TV sitcom called Community.


Aired on NBC channel in 2009, it's about a group of 7 students, from a variety of cultures and ethnicities, putting aside their differences to form a study group at a fictional Greendale Community College. And while attending school there, they face a lot of absurd and epic adventures that change their lives forever.

Spanning over just 3 seasons, this TV show is one of the finest television scripting I've come across, besides Arrested Development and Spaced, just to name a few.

The pilot episode introduces these characters as stereotypes of their ethnicity and ages, like all TV shows do. You have the once-popular jock, the plump African-American Christian housewife, the obnoxious former-lawyer, an incompetent old man, the studious young girl etc.

As Season 1 progresses, their backstories are revealed, layer by layer in each subsequent episode, and it all adds up to give a unique touch to each character. One particular episode that hit a stride with me was Introduction to Film Studies in early Season 1.

Abed Nadir, a Polish Pakistani, is known for his autistic and naive behaviour. He sees everything as movies and stories, and this makes it difficult for him to have friends he can mingle with. In this episode, Abed is denied by his father to study a film course at Greendale. His friend, Britta, who is all about defying authorities in exchange for freedom of speech, offers Abed money to study what he loves. Jeff, his other friend, thinks it's a bad idea, as he feels Britta should not get involved in other people's lives. With Britta's money, Abed records everything that he sees, including a quarrel between Britta and his father. And at the climax, he shows his finished work to these three people. It's a short film about Abed.

Inside the film, Abed acknowledges he is weird and believes he is the reason why his mother left the family. And his father, having lost his wife, doesn't know what to do with the son. He only wants what's best for his son and even tries to force Abed into the Falafel family business. Britta and Jeff's conversations in it represents what Abed thinks of his parents' exchanges. After watching his short film, his father tears up and tells him "It was never your fault Mom left,", to which Abed replied "You never had to say it," In just one moment, his father has a change of heart and allows his son to pursue what he loves.

Top LH: Nice homage to space excursion movies!
Top RH: Psychotic Ben Chang, played by Ken Jeong
Bottom LH: Annie pointing a gun at Jeff for deceiving her.
Bottom RH: Pierce (old man) and Troy (young dude)
And this was when I realized Community was not any normal sitcom. The story and message is poignantly and sincerely told. It's grounded in harsh reality and yet it manages to tug my heartstrings whenever a character comes to a revelation. It's a lovely comedy! It's so weird that it's perfect. Honestly, I've never seen a TV show explore characters' origin stories so in-depth and manages to corporate all of these elements into 20-minutes sitcoms every week.

Then, the comedic elements. It uses the characters and place them in situations that you'll never imagine. Any Community fan would say that the paintball episodes are brilliant. It's nothing you will ever see on TV. Just watching all your well-developed characters spouting hilarious one-liners and taking actions, according to their personalities, is delightful! And it all makes sense, somehow!

But Community is not just funny, it respects its fans a lot and rewards them with running gags and also being self-aware. Being self-aware is a rare element in TV Shows, because you don't want to refer to your genre (Sitcoms) too much that it becomes annoying. But they incorporate it into their story really well.

"Annie's a little young, we try not to sexualize her." - Jeff Winger
A Bottle Episode is an episode when a TV sitcom is trying to cut down the production costs by just secluding their characters in just one location. In this standout episode, Annie (the girl with control issues) traps the entire study group in the room when she finds out her pens are lost. Chaos ensues with people accusing one another of stealing her pens. The writers use the "Bottle episode" concept and added a story where all the characters go all out with their anger. I thought this was a really bold move and it succeeded!

Of course, credit must be given and it is given to its creator Dan Harmon and his creative and brave team of writers, consultants and executive producers. It is quite evident that all three seasons had an overall theme for each.

Season 1 - Spanish Class => Foreign strangers, who have no business with one another, coming together to learn a foreign language. This forces them to understand each other and become friends.

Season 2 - Anthropology => The study of humankind. The theme is about exploring the limits of friendships. Putting characters to the test and having epic situations happen, so they can change and accept each other for who they are.

Season 3 - Biology => The study of living organisms. In this season, Britta takes up Psychology and tries to understand her friends. Basically, this seasons takes a darker turn to explore characters' psyche and what makes them tick. Also, it delves into the thoughts of what characters think of each other and this leads to some really mature growth in my favourite characters.

After a really touching finale episode of Season 3, I thought to myself, "Wow, what a way to tie up loose ends and finish character arcs," These people are not perfect, but they have gone through enough to know that they're a study group that can survive any thing that Life throws at them.

The amazing Paintball episode!
It's a TV show you can watch again and again to catch up on little details and still laugh at its wisecracks. Sadly, Dan Harmon is not coming for Season 4 and most of the original writers had left. I am still going to watch it, but whatever happens later, I still can relish the touching moments in the thrilling trilogy season of Dan Harmon's Community.

Forgive me if my writing is kind of bad. I tried my best... =/

Wednesday, June 13, 2012

I'm On My Own



I love this song very much. Hot off the sophomore self-titled album, The Temper Trap. Awesome, inspiring stuff, people!

Lyrics:
Turning the ground
I once used to know
People are strangers
Same as before
Streets look familiar
I remember the part
Where I buried my head
So deep in my hands
All around me was dark

This here city
Has fall along with me once
Won’t find no angels
Selling back to the lost
This here ṗalace
Is too small for two
It took one to realize
When dreams make this hardest
Are not meant to come true

(Chorus)
So throw me a line
Somebody out there help me
I’m on my own
I’m on my own
Throw me a line
And I have come here
To win you again
With trembling hands

Passion delays
Looking over the buildings
Town seems to starve
While the millions keeṗ moving
Now here I am
I’m a drop in your ocean
Noise in the crowd
Pushing through your halls of reason

(Chorus)

Hear me now make me whole
Hear me now make me whole

(Chorus)

There goes the ending
It left me in the war
i tried everything here
I’m done with my part

Wednesday, June 6, 2012

Asian Cinema Rediscovered (Part 2)

Again, I came across this movie a few years back, but I thought Korean Cinema would be shite so I didn't watch it.

Who did the poster for this?! Terrible!
Then I saw the title mentioned in Park Chan-Wook's book, and it was drawing similarities to this movie, called "The Host". Bought the DVD I did. Watched it I did. Realized it is actually one of the most decent movies I've ever watched.

It's not perfect but in the areas it excel, it hits it out of the park!

GAWZIRRA GAWZIRRA! Oops wrong movie.
The Host is about a mutated monster in the river that terrorizes the capital of South Korea, and it captures a little girl from a middle-class family. In their desperate attempt to save her, the whole family rebels against authorities and tries to find the girl before it's too late.

A simple story and it is very well-acted. I don't know if it's the deal with Korean and Japanese films but they use a lot of black satirical humor.

Like in the mourning scene, they all come together to her temporary alter with blank expressions when they found out about the little girl's "death". Then they start breaking down, progressively hysterical. The next thing you know, they're on the ground kicking the hell out of each other, blaming each other for losing the girl.

It's so dramatic that you can laugh and yet, you feel their remorse. The icing on the cake to that scene is the group of photo journalists surrounding the crying family, snapping pictures of them. It's just a "WTF?!" moment. At the same time, you know it can happen in the real world. I thought the film-makers nailed that moment perfectly.

That is just to highlight the point that, this movie was NEVER about the monster. Unlike in movies like Godzilla or Cloverfield or any old school monster movie, film-makers tend to make a big deal out of its monsters. Whereas in "The Host", the mutated beast is a plot device to bring a dysfunctional family together. It's role is the secondary character, but it still lingers in the background as the main villain.

Happy Family Reunion, for now.
I like how the movie mixes the family drama and terror. It puts the family through troubling and horrific times, but seeing how each one of them arrives at the end of their character arcs is a pleasant finale feeling. It succeeds in making you root for them and damn it, it's a heartwarming movie, to be honest.

I think the movie had a social commentary vibe to it, peppered with some satirical humour throughout. Poor people struggling to make ends meet, a mutated monster created due to the neglect of ethics by U.S. scientists and also, a repressed government who don't tell the truth to their citizens. A bit of an authoritarian government, if you ask me.

Actor Song Kang-Ho is terrific in the bumbling father who seeks redemption as Park Gang-Doo
It wants to send a message and also entertain its audience. The only flaw is, the movie doesn't quite know what it wants to be. But you know, to heck with it. I don't want to read too much into its subliminal messages. I just want to be entertained by its story and fantastic actors. Hell yeah, I got what I want.

Rating:
Violence. NC-16 that's all, unlike Oldboy. That's gotta be a hardcore R.

P.S. These are not strictly reviews. Just thoughts on what I saw, what I liked and disliked. My first foray into Korean films...

The Host movie trailer:

Sunday, June 3, 2012

Asian Cinema Rediscovered (Part 1)

(All this happened about 3 months ago...)

In my journey to expand my knowledge about films, I ventured into Asian cinema with advice from Roddie (My film buddy) and discovered a contemporary gem called "Oldboy", directed by Park Chan-Wook.


I have heard of this film when browsing through the internet forums a few years ago and many seem to like it a lot. Even the titular protagonist in my favourite TV show, "Chuck", has the movie poster hung up in his room. But I never actually wanted to watch it. Until now. Then I knew why film enthusiasts love it so much.


"Oldboy" is a South Korean drama adaptation based on a Japanese manga. It is about a man (Oh Dae Su) who has 5 days to find out the identity of the man who kidnapped and imprisoned him for 15 years and to exact his revenge.

I don't want to spoil anyone but everything about this film is amazing. Now that I think of it, it doesn't strictly follow a genre formula. The narrative just goes off the rails sometimes and you don't know what you're watching, but you're following the storyline intensely. It looks like a high-budget Hollywood film but it never becomes your conventional Hollywood fare.


There is a very distinctive voice in the film, as Oh Dae Su explains his intentions and actions through the use of voiceovers. And he is the narrator of the film. He anchors the whole film down and brings us through his pains, joy, lust, anger, self-discovery and eventually, his self-destruction.
It's a film that explores the psyche of a lonely, broken man on the path of revenge and it does it subtly.


And I have never seen a revenge movie that explores the characters' backstories so in-depth and such in a visually-visceral manner. And all of this culminates in the film's final scenes, which feature tour-de-force performances by Min Sik-Choi (Oh Dae Su) and Ji-Tae Yu (Oh's captor Lee Woo Jin). I just sat there in horror and with sadness, watching the final moments of the gut-wrenching exchange between them.

This happens at the beginning of the film.
And you know THIS is the mark of a great film, when you're so heavily invested in the characters that you actually feel the emotions running through them. And you don't try to think about what happens next, because you want to be led by the film-makers.

Then again, in Park Chan-Wook's autobiography, he mentioned that his intention was never to do merely a revenge flick, but a movie about a man who FAILS at exacting his revenge. Thus, this is what that sets "Oldboy" apart from other typical revenge movies. And Oh Dae Su's journey to the end, though depressing, gives audience of a glimpse of hope and redemption that Oh Dae Su might pull through.

On the technical side, this is a gritty-looking film with some fantasy elements. The sets in certain scenes are purposely chosen to suit the personality of the characters. The cinematography is gorgeous to look at and there are some shot movements that reflect the emotions of the characters, which I liked of course.

In conclusion, "Oldboy" is nothing I've ever seen, yet it feels so familiar in my heart. An unforgettable piece of modern cinema, that's what director Park Chan-Wook had created. A fantastic visionary, he is.

The note reads: There is somebody tapping on our conversations, please help us find the device.
Rating: R
Please be advised that violence and sex is present in the film. Some action scenes, sex scenes and some incestuous content. But that should not stop you from watching this if you're interested in watching a great story unfold by itself.

Update: Movie trailer!